Showing posts with label South Washington Street. Show all posts
Showing posts with label South Washington Street. Show all posts

Saturday, February 10, 2024

Another Random Walk around Vicksburg, Mississippi (2021-2023)

Downtown


In the last article, I looked at houses along South Washington Street. Let's take a semi-random walk in the southern part of Vicksburg plus one view downtown and see what interesting photons passed through my camera lens and into the film emulsion. Most of these frames will also be from color negative film, mostly Kodak Ektar 100. Please click any picture to see more details.



Downtown Vicksburg from China Street (Royal Gold 25 film, Leica M2, 50mm ƒ/2 Summicron-DR lens)

As of 2023, The Vicksburg apartments are being renovated. Residents had to move to other accomodations around town. I hope this continues a downtown revival. The brick building in the left is the long-unused Junius Ward Johnson YMCA. It has been empty for at least 20 years. 

South Washington Street Area



View west towards the Mississippi River from Washington Street (Hasselblad, 80mm ƒ/2.8 lens)

This the view west to the Mississippi River (the shiny water at the horizon). The Yazoo canal is out of sight just beyond the water tower. The water tower is a remnant of the cotton compress, of which very little remains now. With an amazing view like this, in most cities, a neighborhood like this would have gentrified. This one is still a mess.


Washington Street view north near Bowman Street

Tri-State Tire, 2209 Washington Street

This unusual building with decorated arches was once an ice company. Then, in the 1960s, it was the Seale-Lily ice cream store. Mr. Christ bought it in the 1970s and converted the building into a tire business. His daughter, Susan Christ, runs the business now and provides courteous and efficient service. I wrote about Tri-State in 2018


1009 (?) Bowman Street
1007 and 1009 Bowman Street

Turn right from Washington Street onto Bowman Street. Some of the housing stock is seriously degraded. 


Magnolia School, Bowman Street

The former Magnolia School has been unused since at least the mid-1980s. Former windows were bricked in decades ago. From the 1920s to the 1950s, this was one of the most progressive schools for African-American students. J.G.H. Bowman, the principle of Magnolia Avenue High School, was highly respected for his dedication and accomplishments in running the school. The street is now named after him. 


807 Speed Street

It looks like the occupants ran out of blue paint. Speed Street is pretty rough.


Drummond Street Area


Pink house, 2721 Green Street
Ducks in a row, 911 Bowmar Avenue 
2815 Drummond Street

This four-unit apartment has been empty for at least five years. The front porch is sagging. As so often with these older houses, status unknown.


Johnny's truck, Candee Street

This ends our short walk around Vicksburg. I took the 2023 photographs with Kodak Ektar 100 film using my new Pentax Spotmatic F camera and 50mm ƒ/1.4 or 55mm ƒ/1.8 SMC Takumar lenses. Watch for more Vicksburg photographs soon. Thanks for coming along!



Thursday, February 1, 2024

Houses of South Washington Street, Vicksburg, Mississippi

 I like the downtowns of older American cities, where homes were once built with care and a degree of individualism. Over the decades, the neighborhoods have mellowed, trees have become mature, and the homes changed to reflect their owners or tenants. You also see neglect, decay, and, sometimes, some revitalization. South Washington Street in Vicksburg shows all these elements, although one sees very little revitalization. I have waited for Vicksburg to gentrify for 30+ years, but there is almost no evidence of this happening. This is a real shame considering its rich architectural abundance and historical heritage. 

I have driven and bicycled along Washington Street many times but did not slow down to examine the houses. Here is a walk from south to north, starting where Lee Street comes in from the east above the Vicksburg High School ball fields. The addresses will count down as we progress north. Most of the photographs are from April of 2023. Click any picture to see more details.


Gator Stadium, Vicksburg High School, Lee Street

Let's start with the newly rebuilt and expanded Gator Stadium on Lee Street. The city did a nice job upgrading the fields and stands. There is a lot of pride in the ball teams. Everyone likes gators.


3507 Washington St. with original windows and stucco exterior

Vicksburg has a surprising number of houses with stucco exterior. Stucco was air tight, fire resistant, and accepted paint well. But the stucco was expensive to construct and challenging to repaint. I have seen stucco buildings being demolished and noted that the base of the walls was much thicker that the top near the rafters.

3501 Washington St.

The wide awnings were popular in the 1950s and 1960s. This cottage is also stucco-walled. It has a much simpler architecture than the green house to the south.
 
Time for a smoothie at 3407 Washington St.
Home with aluminum siding, 3113 Washington St.
Home with asbestos shingles (pre-1940s?), 3111 Washington St.

This little house has two original windows with multiple mullions. And it is clad with asbestos shingles. These were a durable and fireproof building material, popular in the mid-20th century. But mining and production was deadly for the workers.

3023 Washington St.


This cheerful little Craftsman cottage is freshly repaired and restored. It has its original wood siding and double-hung sash windows.  

Asbestos shingles, 3019 Washington St.

This house has diamond-shaped asbestos shingles above the porch. The vent just under the eaves may had been for an attic fan. The fence is nasty, a typical retrofit.


3011 Washington St.
3005 Washington St.

This little house was a dentist's office for some time, but it was neglected and unused when I took this photograph.  


Key Real Estate, 2903 Washington St.
2745 Washington St.

This cheerful cottage at 2745 has its asbestos shingle cladding and original windows. Because of Vicksburg's complicated terrain, many houses like this were perched above the street and had a flight of steps up to the front door. In other cases, the backs of the houses projected over gullies and were supported on wooden posts. I showed examples of this on Johnson Street


Victorian house, 2519 Washington St.

This is a handsome Victorian-era house. It has a modern roof, but the ornate vent/tower has been saved. The shingles above the bay window are original. These are hard to paint because of the many small surfaces that need scraping.


Shotgun house, 2433 Washington St.
Partly restored, 2427 Washington St. (Hasselblad 80mm lens)
Brick house, 2405 Washington St.

This was a nice late-1800s brick house with a steep roof. Some of the wall on the front appears to have been replaced. The roof is early 20th century asbestos with a recent coating of white roof mastic (plastic). The original roof was likely wood shingle. 

Coal sparks from chimneys and coal locomotives often caused fires when embers fell onto wood roofs. When asbestos shingles were developed in the 1920s, they immediately became popular for retrofitting old houses and for new construction. The shingles were  fireproof, lighter than stucco or brick, and quick and easy to install. On a roof, they did not weight more than the wood shakes, in contrast to slate or clay tile, which required a more robust frame. Therefore, many older houses were retrofitted with asbestos roofing. My 1925 garage had asbestos shingles on the sides and the roof, even though the main house was brick.

Commercial building, 2401 Washington St.

This former commercial building is at the corner of Washington and Speed Streets. It has been restored, possibly with an apartment in the second floor. At one time, a family probably operated a business on the ground floor and lived above. In many US cities, misguided zoning regulations made it illegal for residences to coincide with commercial businesses. As a result, business owners moved away and the structure of close-knit communities degraded.


2299 Washington St.

Cheerful blue paint, but it needs a bit of a touch-up. The low iron fence is possibly late 1800s.

2213 Washington St.

This ends our short walk along south Washington Street to look at some of the historical homes. I took most of these pictures with my Pentax Spotmatic F camera and 50mm ƒ/1.4 or 55mm ƒ/1.8 SMC Takumar lenses, hand-held, using Kodak Ektar 100 film. I scanned the negatives with a 35mm Plustek 7600i film scanner. The color profile in the Silverfast software is not quite right. However, the dilemma with color photography is how can you remember what was the "correct" color weeks or months later? Does it matter?  

I have photographed along Washington Street before. You can type "Washington" or "Vicksburg" in the search box to see older articles. Thank you all for walking with me. Next: more Vicksburg in other areas.

Tuesday, October 10, 2023

Danger: GAS and a Review of the Pentax Spotmatic F

Good things come in a box

The Danger of GAS


Yes, I know, I have no discipline. I have enough cameras to last the rest of my days and swore that I would not buy any more hardware except for specific accessory items, like filters. But Jim Grey, my friend from Indiana, extolled the virtues of the Pentax Spotmatic F body. This was the last version of the famous 35mm camera line that accepted 42mm thread-mount lenses. The F featured open-aperture metering, meaning the viewfinder did not darken as you stopped down the lens. My older regular Spotmatic uses stop-down metering. This seldom posed any inconvenience, but the option of open aperture metering sounded tempting. Well, you know the story, GAS (Gear Acquisition Syndrome, not flatulence) overcame me. Soon, a handsome Spotmatic F along with the magnificent 50mm ƒ/1.4 SMC Takumar lens appeared in a box. Total cost was $49 including shipping. You can buy this level of craftsmanship and excellence for $49 in 2023?

After an initial test, I sent the camera to Eric Hendrickson, one of the best-known Pentax repair people in the USA. It and the 50mm lens came back clean and ready to go. He emphasized that the light meter will work correctly with 625A (alkaline) batteries. Internet "experts" go back and forth about which batteries will and will not work, but I trust Mr. Hendrickson. The original specification was for 625 mercury cells, but these have not been available for at least 25 years. The 625S (silver) cells are also now gone. The 625A batteries do not last long in this camera, so possibly there is a minor current drain. But the cells are inexpensive, and I remove them when I am not using the camera. (General camera rule: ALWAYS remove batteries when you will not use a camera for weeks or longer.)


Spotmatic Cameras


Mike Johnston wrote about the Spotmatic in The Online Photographer in 2017 and explained why the Pentax 50mm ƒ/1.4 lens was one of the finest 50s in the film era. The table below lists the various Spotmatic models.


Asahi Pentax Screw-Mount Cameras 1     

Model 2

Date

Features

Original

1957

Modern appearance, right side wind lever, instant return mirror. ≈ $199 with 55 mm f/2.2.

S

1957

Contemporary geometric sequence of shutter speeds. 9 lenses available.

K

1958

Semi-automatic diaphragm

Asahi S3 (identical to Honeywell H3)

1960

Fully automatic diaphragm.  $199 with 55 f/1.8 lens.

Honeywell H1

1961

 $150;  1/500 top speed.  World's first clip-on CdS meter available ($32).

Asahi S3v (Honeywell H3v)

1963 1969

Added self-timer and automatic frame counter.

Asahi S1a  (H1a)

1963 - 1969

Added auto frame counter.  14 lenses available.

Spotmatic

1964 - 1971

Through-the-lens CdS meter.  $299 with 50 f/1.4.  Very popular!  Most chrome, some black paint.  Motorized model made in 1970 (uncommon).  Rare 250-exposure model.

SL

1969

Same as Spotmatic but without CdS meter.

Spotmatic 500

1971

Lower cost, 1/500 top speed, supplied with 55 f/2.0 lens.

Spotmatic II

1971

Added accessory shoe; sold with multi-coated lenses with extra indexing levers.

Spotmatic IIa

1972

Sensor for automatic Honeywell flash.

ES

1972

First Pentax auto exposure camera with electronically-controlled shutter.

Spotmatic F

1974

Finest manual Spotmatic; open-aperture metering, $375 with 55mm f/1.8.

SP 1000

1974

No self-timer

ESII

1974?

Improved reliability over ES. End of the era for Pentax screw-mount bodies.

Notes:

1.  Sources: “A History of Pentax” articles by W. L. Fadner in Shutterbug (1988)

2.  U.S. cameras had the Honeywell name and logo on the prism.  International models were labeled with the Asahi name and logo. 



M42 thread mount


M42 refers to the thread mount of 42×1 mm used to attach the lens to the camera body. This was a common size in the 1950s through the 1970s. European, Russian, and Japanese companies made hundreds of M42 lenses in various focal lengths. Many people consider the Asahi Optical Company's examples to be among the best optically and mechanically in the 1960s and 1970s. It is common to buy an old Takumar lens that will still operate perfectly, while a drastically more expensive Leica lens of similar age will often have haze or film on the inner elements and need professional cleaning and re-lubrication. Takumar lenses have a following among serious photographers today because they can be mounted on most mirrorless digital cameras. The M42 mount lost popularity in the 1970s because it was slow to exchange lenses, while companies like Nikon, Minolta, and Canon used faster bayonet mounts on their cameras. 



Simplicity and meticulous craftsmanship
Utter simplicity: rewind knob, flash shoe, shutter speed dial, shutter release, and wind lever. No baffling 400-page instruction manual needed.
Set the film speed in the window within the shutter speed dial. Note it is still shown as ASA.
SMC (Super Multi Coated) 50mm ƒ/1.4 lens, mid-1970s.

Examples with Kodak Plus-X Film


Jim Grey sent me two rolls of Kodak Plus-X film. He bought a brick and said the first two rolls performed correctly. I used Plus-X in the 1970s but rarely since then. Plus-X was a traditional cubic-grain film, not one of the more modern T-grain emulsions like T-Max 100. I will write more about Plus-X in a later article. Here are some examples from Vicksburg, Mississippi, during March of 2023. On some of my walks, I even wore the camera in its handy leather camera case (also known as a never-ready case). 


Waiting for a ride, 2620 Washington Street (50mm ƒ/1.4 SMC Takumar lens)
Monroe Street view south (135mm ƒ/3.5 SMC Takumar, ƒ/5.6)
Minor trouble at the corner of Marshal and Harris Streets (35mm ƒ/3.5 Super-Takumar lens)

I really like this 35mm ƒ/3.5 Super-Takumar lens. This is one of the older versions that must be stopped down for the light meter measurement. The Spotmatic F is supposed to be capable of both open-aperture as well as stop-down metering. But mine gives the wrong exposure for the latter mode. I sent the body back to Mr. Hendrickson to check, but it still does not meter quite right. That is a minor inconvenience because I usually carry a hand-held meter. The newer Super-Multi-Coated and SMC Takumars all have the tab for open aperture metering on the F and ESII bodies. 

Garage on Polk Street in unoccupied but not abandoned house (50mm ƒ/1.4)
Cottage at 733 Johnson St. It has been demolished since I took this picture (50mm ƒ/1.4).
Silos, Hwy. 80, Delta, Louisiana (135mm ƒ/3.5 SMC Takumar, polarizing filter)

The meter in the Spotmatic F measures correctly with a polarizing filter mounted on the lens. This camera works perfectly well with a linear polarizer. Many novice photographers insist that they need a CPL or circular polarizer (after all, they saw it on YouTube). No, usually they do not. A CPL is required for cameras that use a beam-splitter for auto-focus function.

Examples with Fuji Acros Film



House on Bethany Street, Shreveport, Louisiana (24mm ƒ/3.5 SMC Takumar lens, Fuji Acros film).

The Spotmatic F meter seems to work correctly with a wide lens, in this case, 24mm. But this was not a severe test because the light was soft and overcast that day. Spotmatic meters are have a broad coverage area, so you need to point the camera slightly downward to avoid having the bright sky fool the meter. 

The Little Shanty art store, Line Avenue, Shreveport, Louisiana (28mm ƒ/3.5 SMC Takumar lens)

Summary


I am pleased with my Spotmatic F. The open aperture metering is certainly convenient, and the measurements closely match reflected light readings from my Gossen Luna Pro digital hand-held light meter. The camera feels good and fits my hands perfectly. It is compact and only slightly more bulky than a Leica M camera. It demonstrates meticulous 1970s craftsmanship and precision, the finest of Japanese production. What is not to like?

And I like the gritty feel of Plus-X film. It is grainy, but that is suitable for this type of subject matter. 

Appendix


Here is my wife's 1971 Spotmatic camera with the superb 55mm ƒ/1.8 Super-Takumar lens. As you can see, it looks very similar to the 1974 or 1975 Spotmatic F. This camera has been to USA, Europe, the Middle East, and the Nile River and has always performed flawlessly. This 55mm lens is single-coated and has at least one element with thorium salts. The lens had yellowed over the years, but treating it with a small table lamp from Ikea cleared the yellow tone. Many manufactures added thorium salts to their glass mixtures in the 1940s through the 1970s. No studies have ever demonstrated any health effects from the minor amount of radiation.